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  • By Johnny Payne

Natural Bridge Suite



I

Steep path, up the limestone stair, sediment

and sand hardened to bedrock, yet porous.

Groundwater flowing through, that reinvents

the river delta into a chorus

of holes, tubes, plates, cracks, arches yet to climb

an amphitheater for amphibious

caught between states, half-deaf, half-mute, half-blind

in other words, perfect for blank rapture

for distilling the self-tormenting mind.

Geomorphology means needed rupture

in what seems solid and complete

possessed of a permanent, hard structure.

In the cascade of steps that lifts your feet

you feel the sandstone that began as sleet.


II

Red River Gorge, who from my earliest days

exercised pull on imagination

you restore my sight from its dirty haze

easily as mist vanishes when soft sun

touches patches and shreds of fog and mist

in the bottom of each narrow canyon.

Each precipice, each rock outcrop gets kissed

as shafts of light fall in between dark trees

the way the lightest touch opens a fist.

I bring the bruised, rank lot of my disease

to the earth to sediment your bedrock

and gladly kneel, only to scrape my knees.

In bowing down, I want to feel the shock

that shakes the earth’s deep core, cracks its firm block.


III

I showed up weak, everything but my calves

because I’d walked the surface of the earth

as a dog divides one whole into many halves.

I’d sniffed each patch, turning its open width

into narrow lanes, with room for a sole

mongrel body’s death passage through dearth.

Now I seek the synchrony of whole,

made manifold by mind. I quest for beds

where fossils house remains that nest a soul.

In both my hands I want to hold the dead

by the thousands, shrunken into shale

mere dry pressed husks left dense, where they once bled.

Pressing a slab to my chest, I feel swell

the stony warm print making my ribs well.


IV

I have been haunted by a skeleton

too real because too human, not compact

enough to layer a river’s bed by tons.

Here the gorge spreads before me, ample tract

crowned with red tree-tops heightened by swift beams

of sun for which daily return is a bare fact.

Those bones, my bones, now belong to a dream

where I become the gorge, its palisades

permeable, solid, dead, alive, clean.

Fear leaves as I crest the ridge, a close glade

sheltering my body from a sudden wind.

I know myself entire, intact, remade.

The river beneath me snakes and unwinds

like loosening coils of my immortal mind.


V

I crouch in camp and watch the stars emerge

like so much coral in a crowded reef

clustered with things living in a wave’s surge.

A storm blows up, as if to lend more life

to teeming branches of the sky’s excess

and soon will wash down on the natural shelf

where I had thought to shelter. I’m exposed, left

to the elements, yet unafraid, quiet,

seeking cave shelter in a cliff’s cleft.

Once the lightning departs, I sit, half-spent

calm among liquid of what was once parched

self-domed in the ripstop of my small tent.

I drowse, as crickets sing to new, wet March

while water runnels fall far down the arch.


Johnny Payne is Director MFA in Creative Writing at Mount Saint Mary's University in Los Angeles. He has published two previous volumes of poetry, as well as ten novels. In addition, he writes and direct plays in Los Angeles and elsewhere. His plays have been produced professionally and on university stages.

10 Comments


ajsedia
May 20, 2022

This poem shows, I think, where contemporary poetry should go. The language is finely crafted; exquisite, yet clear; never purposely opaque. The use of rhyme, while subtle, is not purposely obscured (which always has the opposite effect of drawing more attention to the rhyme as stilted). The theme is at once personal, yet of universal application, easily relatable by anyone, even those who have never hiked at this location - in stark contrast to the solipsism that plagues most contemporary verse. Excellent work!

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Guest
May 20, 2022
Replying to

Thanks for these discerning comments.

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Unknown member
May 11, 2022

Thank you all for these perceptive and moving comments. It gratifies me to know I achieved what I set out to do with this beloved place. I did have Wordsworth, Dante, and Spenser on my mind. Above all it is a direct homage to Shelley’s ”Ode to the West Wind,” which is my favo poem in the English language. Immodestly, I wanted to risk aiming that high.

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Unknown member
May 11, 2022
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favorite

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Cindy Erlandson
Cindy Erlandson
May 11, 2022

So much about this poem is amazing and intriguing. The first thing I noticed was how you used terza rima within sonnet stanzas -- fascinating! Throughout the whole poem, your great passion for your subject energetically reveals itself. My favorite parts were in Part III: "In both my hands I want to hold the dead / by the thousands, shrunken into shale"; and "Part IV: The river beneath me snakes and unwinds / like loosening coils of my immortal mind."

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jm6783685
jm6783685
May 11, 2022
Replying to

Yes, I see now it's a terza rima sonnet. Which is a recognised form.

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jm6783685
jm6783685
May 11, 2022

This is a very fine sequence of sonnets. The rhyme scheme particularly intrigued me. It seems to be related to the Spenserian sonnet. I would like to know more.

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martinmccarthy1956
martinmccarthy1956
May 11, 2022

This poem is truly wonderful and says a lot about the healing power of nature and the natural world, and your own ability to absorb it into yourself - in all its fierce and tender aspects - in order to be physically and spiritually 'remade'. I was just waiting for you to get in a bit of Wordsworth, and you did, while making it your own ('my immortal mind'). A real tour de force!

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jm6783685
jm6783685
May 11, 2022
Replying to

You've said a lot of the things I wanted to say following my initial response. And after reading the poem aloud to myself. Which it seemed somehow to demand.


There's also a bit of Hopkins in the 'self-tormenting mind'!

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