Helen, bright accompaniment,
accouterment of war as sure as all
the polished swords of princes groomed to lie
in mausoleums all eternity ...
The price of love is not so high
as never to have loved once in the dark
beyond foreseeing. Now, as dawn gleams pale
upon small wind-fanned waves, amid white sails, ...
now all that war entails becomes as small,
as though receding. Paris in your arms
was never yours, nor were you his at all.
And should gods call
in numberless strange voices, should you hear,
still what would be the difference? Men must die
to be remembered. Fame, the shrillest cry,
leaves all the world dismembered.
Hold him, lie,
tell many pleasant tales of lips and thighs;
enthrall him with your sweetness, till the pall
and ash lie cold upon him.
Is this all? You saw fear in his eyes, and now they dim
with fear’s remembrance. Love, the fiercest cry,
becomes gasped sighs in his once-gallant hymn
of dreamed “salvation.” Still, you do not care
because you have this moment, and no man
can touch you as he can, and when he’s gone
there will be other men to look upon
your beauty, and have done.
Smile—woebegone, pale, haggard. Will the tales
paint this—your final portrait? Can the stars
find any strange alignments, Zodiacs,
to spell, or unspell, what held beauty lacks?
Michael R. Burch is the editor of The HyperTexts, on-line at www.thehypertexts.com, where he has published hundreds of poets over the past twenty years. His poetry has been translated into eleven languages and set to music by three composers. A five-time Pushcart nominee, his poems, translations and essays have appeared in hundreds of literary journals, including Light Quarterly, The Lyric, Measure, Iambs & Trochees, Blue Unicorn, The Chariton Review, The Chimaera, Able Muse, Lucid Rhythms, Poem Today, Asses of Parnassus, Writer’s Digest—The Year’s Best Writing and The Best of the Eclectic Muse.